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         Qualitative
        extreme metal-tours  
        have
        become a curiosity 
                    
        
        
        
         
        Well,
        it's been a very long since I have been to Z7. Good,
        qualitative extreme Metal-tours have become a curiosity, sad but true.
        But sometimes, they return! Poland’s finest, Behemoth, who just have
        released their masterpiece so far, “The Apostasy”, that brings
        extreme Metal, it doesn’t matter if Death or Black Metal, on a higher
        level, more intense, more technical, more inspirational and more
        original. And part two, Kataklysm, the northern hyperblasters, with the
        new-old-line-up stronger than aver, altough their latest album “In The
        Arms Of Devastation” has kind of a modern approach and some fans
        prefer “Serenity In Fire” or “Shadows And Dust”. Anyway, two
        great extreme Metal-commandos!
        
         
        First
        surprise: The venue is quite well crowded, and the atmosphere is very
        familiar, lots of faces which I haven’t seen for a long time. And to
        say this right at this point: The sound this evening is absolutly
        excellent! Well-balanced, adequate loud, but not too loud, full of
        energy.
        
         
         
        
         
        There’s
        only one detail which ruins the image of a perfect evening: Lyfthrasyr.
        This trio from Germany has absolutely nothing that exculpates a place on
        this billing. It’s just 08/15 keyboard-Black Metal, with almost the
        same piano-passages in every song, very uninspired, excuse me. At least,
        the drummer is very tight. And Black Metal without an outstanding
        performance and engagement just doesn’t work. Noone is really sad when
        Aggreash, Insorior and Skytorian levae the stage after thirty minutes.
        
         
         
        
         
        It
        gets better. It’s now Aborted’s turn, groovy Death Metal with
        Grindcore-influences from Belgium. Most of all, they play new stuff –
        as a friend and Aborted-fan tells me afterwards – and I like it. Very
        aggressive, roaring deep vocals, most of all between mid- and uptempo,
        bangy and with a hyperactive, jumping and running around vocalist called
        Sven de Caluwe. The audience is getting obviously war, and for the first
        time, loud cheering and applause resounds after the Death Metal –
        bullets from Aborted. Well done guys, I gotta listen into your albums
        soon!
        
         
         
        
         
        Behemoth
        have left the stadium of an normal extreme Metal-band a long time ago.
        These four polish Black’n’Death-maniacs celebrate extrem art on a
        level 99% of this world’s bands will never even see from far below.
        Flanked by two banners and an immense backdrop, Behemoth play a
        best-of-the-best-of-set. And they have what a lot of Bands from this
        genre don’t have: Aura. Charisma. When screamer and string torturer
        Nergal spreads his arms, stares into the audience, you just HAVE to
        follow his orders, you have to shout, you have to bang your goddamn
        head! Already after the short intro I knew, nothing could get wrong.
        Behemoth are a unity on stage, with Nergal the imperator, and to the
        left and right of him, his two best warriors, guitarist Seth and bassman
        Orion. From the back, the war machine Inferno fills every little whole
        in the sound, well, I even could say, his drumming is just a neverending
        solo. This tempo! This breaks! This ideas! This figures! This tempo!!!
        This tightness! The audience gets pushed and pushes back, and I think
        Behemoth never regret to get back to Z7 again. “As Above, So Below”,
        “Christians To The Lions”, “Demigod”, “Conquer All”,
        “Slaying The Prophets Ov Isa”, “Prometherion”, “Arcana
        Hereticae” (my favourite from “The Apostasy”, “From The Pagan
        Vastlands”, “Antichristian Phenomenon”, “Chant For Eschaton
        2000”, Behemoth play highlight after highlight. Every man in this band
        is an outstanding technician, and the atmosphere they create, with
        little help of spikes, leather and discreet corpsepaint, is exceeding.
        At the end of the set, the string-front spits blood collectiveliy, and
        Nergal wears the iron mask from the cover of the “Apostasy”. As
        special extra, Behemoth play the Turbonegro-hymn “I Got Erection” as
        final song. I know Behemoth would be strong. But this concert has beaten
        all of my high expectances. Behemoth have reached a new dimension in
        extreme art – as on CD, so on stage.
        
         
          
        COMING SOON: PART II 
        KATAKLYSM 
          
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