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| © Warner
        Bros. Deutscher Kinostart: 21. August 2008 im Verleih von Warner Bros. Pictures Germany a division of Warner Bros. Entertainment GmbH   Regie
        Christopher
        Nolan  Produzenten
        Charles
        Roven, Emma Thomas, Christopher Nolan Drehbuch
        Jonathan
        Nolan, Christopher Nolan Story
        Christopher
        Nolan & David S. Goyer erschienen
        bei DC COMICS nach
        den Batman-Charakteren von BOB KANE Executive
        Producers Benjamin
        Melniker, Michael E. Uslan,  Kevin
        De La Noy, Thomas Tull  Kamera
        Wally
        Pfister, A.S.C.  Produktionsdesign
        Nathan
        Crowley  Schnitt
        Lee
        Smith, A.C.E. Kostümdesign
        Lindy
        Hemming  Musik Hans Zimmer, James Newton Howard 
 THE DARK KNIGHT www.thedarkknight-derfilm.de start D- german CH 21.08.08 
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| 
 previews by Matthew Haumschild and dalia "gryphon_spirit" di giacomo____ 
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| 
 A SILENT GUARDIAN, A DARK KNIGHT 
 
 
 
 review by Matthew Haumschild The Batman I’ve been waiting to see for years  I
        must say, I only watched the first installment of this series of Batman
        movies, the day before I watched Dark Knight. And from what I saw, I
        liked! A nice, dark, Batman; the Batman I’ve been waiting to see for
        years. I was just happy that they got the actor from American Psycho
        (Bale) to play the main role.                
        For Dark Knight, one would have to be living under a rock to not
        be affected by the hype that was generated by Heath Ledger’s passing.
        So I knew going in that The Joker character was part of this storyline.              
                      
        The other thing I noticed about the movie that was much different
        from the other Batmans, was the deep-threatening voice. Whenever Batman
        gets angry when he’s questioning The Joker or one of the mob henchmen,
        Bale’s (with assistance from post-production) voice would be much
        darker sounding, deeper with an added rasp to it. Well, it might have
        sounded darker but in my opinion, it was a little comical. I didn’t
        sound natural to me so I didn’t find that it added anything to
        Batman’s character or to the movie it self.               
        Most importantly, the story was well done. It dragged in parts,
        but the Joker brings up a lot of philosophical points in regards to
        morality which I thought was unique. His point was that anyone could
        become someone like him given the circumstances. There were other parts
        of the story that made it exciting such as the promotion of Commissioner
        Gordon, the assignation attempt on the mayor, and other goodies that
        make an action movie and action movie.               
                    
        So yeah, see the movie. Its well worth it, you might not want to
        get up during the movie though.   8.5/10
         
 
 The Joker, able to give pain as well as to receive it. This is a true event in the Batman iconography. Sequel and even better than "Batman begins", "The Dark Knight" is a film full of action, full of care in details, full of spectacular camera sequences and with a Joker whose representation goes beyond any expectations, so wonderfully interpreted by Heath Ledger. Of course we deal basically with a "comic book superhero", nonetheless the movie gets the characteristic of a dark work that goes further, trespassing the common "comic book" boundaries. Bruce Wayne/Batman Christian Bale is often blessed by that cold impressive aura that was typical in Equilibrium. Needless to say, the reconfirmed presence of Morgan Freeman as Lucius Fox and of Michael Caine as Bruce Wayne's butler Alfred Pennyworth give renewed value to the whole work. But the most astounding qualities are the fantastic aerial filming, the ponderous futuristic enormous architecture of Chicago, the many sequences recorded with IMAX camera (as the very beginning with the brutal bank rob), and , least but not last, the superb Joker. There is also a bit of Italy in this "cursed" film, considering that Bruce Wayne was dressed by Armani and the new hero , the "white knight" district attorney Harvey Dent (Aaron Eckhart) by Ermenegildo Zegna.            
        The plot is interesting enough, because  Gotham City must fight a
        complex  union of villains - mobsters, The Joker and corrupted police
        - whose interests violently  intertwine and converge. From Gotham City to Hong Kong and back to Gotham City again, Bruce Wayne/Batman will develop
        his fight against the criminals. White Knight Harvey Dent (the hero that Gotham city needs, a hero without
        mask), lieutenant James Gordon (Gary Oldman) and assistant Rachel Dawes (Maggie Gyllenhaal) are Batman's companions in the protection of Gotham City. There will be sacrifice, from the moment that Rachel Dawes will perish and Harvey Dent will be disfigured, tragic factors that
        together will transform Dent into the desperate  downfallen Two-Face, who enterprises personal vendetta through coin tosses.
        However Gotham City needs a figure like Harvey Dent, and when Two-Face will appear dead, the only thing to do is the one to remind him as he was before, preserving his image,
        hiding his murderous decadence. Dent is the hero that Gotham city needs and Batman will become the dark hero that
        Gotham City deserves. Gordon will be convinced by Batman himself that the image of Batman must be sacrificed holding him responsible for Two-Face's action.
        Anyway, although destroying the bat -signal and officialy  hunting Batman, Gotham City's police will not lose 
        the silent protection of the Dark Knight.            
        And yes, of course the film is soaked with new "Bat-technology" : some
        examples are a more dynamic batsuit, the Batpod (bat -cycle) and the sonar detection.  rating: 8,9 
 
 
 
 
 
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